Letter to a Young Poet, by Kathleen Jamie
Poetry
Andrew McMillan
‘intimates’
Mary Jean Chan
‘What My Diary Might Look Like’
‘On Losing Face So the Body Comes Back’
Jo Young
‘Extra Detail from Kandahar International’
Sophie Robinson
‘black cherry’
‘cancer, leo rising’
‘nothing nothing’
James Giddings
‘Crows’
Wang Wei
Translated by Garry Mackenzie
‘Darkening Hills’
‘The path up the hill’
‘White hairs’
Martha Sprackland
‘Twilight Sleep’
‘Cherry Bomb’
Tom Weir
‘The Book of British Birds’
‘Vocabulary’
Adrianna Smith
‘Elm Flats, New York’
Rebecca Perry
‘beaches (7)’
‘beaches (10)’
‘beaches (14)’
Seán Hewitt
‘Tawny Owl in Fog’
‘doxology (at the foot of a holly tree)’
Michael Grieve
‘Lacewing’
Blake Morrison
‘Appointment’
‘Nails’
Rachel Piercey
‘Spring Cleaning’
‘The Sea of Marriageability’
Beth McDonough
‘Marmalade’
Ursula Andkjær Olsen
Translated by Katrine Øgaard Jensen
’10’
’13’
’14’
’15’
’16’
’17’
’18’
’19’
’20’
Aoife Lyall
‘Ladies Walk, Inverness’
Laura Scott
‘Breaking Things’
‘The Lesson’
Devon Walker-Figueroa
‘Gray Diggers’
‘(Our Burning Is a Glow We Can’t Perceive)’
Sam Riviere
‘Against Interpretation’
Prose
Nora Chassler
‘Stealth’
‘The Death of Nature’
‘A Change in the Memes of Production’
‘My Lovely Lady Humps’
‘Leaves’
Indigo Baloch
‘Sibiu’
Jake Rosati
‘All Of It’
Reviews
Sean Robinson
on Jackself, by Jacob Polley
Alexa Winik
on Float, by Anne Carson
Rick de Villiers
on The Sellout, by Paul Beatty
Sean Robinson
on Falling Awake, by Alice Oswald
Francesca Bratton
on Rockadoon Shore, by Rory Gleeson
Meghan Maguire Dahn
on Four Reincarnations, by Max Ritvo
Suzannah V. Evans
on Void Studies, by Rachael Boast
ISSN 2398-9300
